Sunday 19 April 2015

David Carson

David Carson is an American graphic designer and art director. He is mostly known for his innovative magazine design and his unique take on typography. He was also the art director of Ray Gun, in which he used his typographic knowledge and exceptional layout style. He was born in 1954 in Texas, and attended San Diego State University, and graduated with a Bachelor of Arts in Sociology. He got his first taste of graphic design in 1980 at the University of Arizona during a two week graphics course. In 1982 he became a teacher and taught at Torrey Pines High School in San Diego, and at the same time was a professional surfer.  He left his teaching post in 1987 and in 1989 he was ranked the 9th best surfer in the world. He began to experiment with graphic design in 1983 and found himself heavily interested in the bohemian culture of Southern California. He attended the Oregon College of Commercial Art. The same year he went to Switzerland to attend a three week workshop in graphic design as part of his degree. His first great influence was Hans-Rudolf Lutz. In 1995 Carson was hired by Marvin Scott Jarrett, a publisher, to design Ray Gun, an alternative music and lifestyle magazine that debuted in 1992. Ray Gun is where he became well known. He used Dingbat, a font that only uses symbols, as the font for what he thought was a rather dull interview with Bryan Ferry. The interview was published in a legible font in the back of the magazine, but it was about the act that mattered so much. He left Ray Gun to create his own studio in 1995, and named it David Carson Design in New York City. He began to attract many famous worldwide companies and clients, and for the next three years he worked for Pepsi Cola, Ray Ban, Nike, Microsoft, Budweiser, Georgio Armani, American Airlines and a few more. He later worked for a range of clients, such as AT&T, British Airways, Kodak, Sony, Mercedes-Benz and many more. He is seen as one of the world’s leading graphic designers of the 20th and 21st century. 


Pepsi Cola advert

This is a design created for Pepsi Cola by David Carson. I think this is a very eye catching design and looks very effective as an advertisement even though the text is hard to read. The text is hard to read because this is David Carson’s style. The way he has written his name on top of the Pepsi bottle is very interesting, and is made up of thin and thick chunks of text, and is made up of different weights. This stands out very well against the white background, apart from the “o” on the bottle. It has a collage feel to it, as if he cut out and stuck the letters on. The only colour on the poster is on the Pepsi bottle and can, which draws attention. He also out his clients in the top left corner, but put all of them overlapping each other, which demonstrates his style of work. 


"Don't Mistake Legibility for Communication"


This is also a piece created by Carson and he used it as an example during a talk in 2003. He used this to explain that communication and legibility were separate elements of type. This is a very interesting and confusing piece of art, as the words are split in half and jumbled around so you cannot read it in normal order. It allows the viewer to interact with the design, as they actually have to use their brain to understand the message rather than have it easy to read. The words say, when in order, “Don’t Mistake Legibility for Communication.” This was to prove his message that “Just because something is legible doesn’t mean it communicates.” I really like the way Carson creates art and how he tries to interact with the viewer, creating a link between himself and the viewer.